Hyundai Blue Prize+2025

Overview

Hyundai Blue Prize+ 2025 open call welcomes exhibition proposals for Hyundai Motorstudio Beijing from emerging curators worldwide engaged with the context of Asia.

 

In today’s ever-changing landscape, curators play a crucial role in examining contemporary cultural, sociopolitical, and technological transformations, fostering interdisciplinary dialogue, and shaping critical discourse. As curatorial practices evolve to reflect contemporary shifts, Hyundai Blue Prize+ serves as a laboratory for curators to challenge conventions and embrace diverse perspectives.

Awardees

Yifeng Wei & <br/>Penny Dan Xu
Yifeng Wei & Penny Dan Xu

Yifeng Wei and Penny Dan Xu, curators based in Dublin and London respectively, explore the dissolving boundaries between technology, science, and spirituality. Their proposal reimagines modern technology beyond a conventional framework and speculates on alternative futures, inviting audiences to perceive technologies as an alchemical medium. It asks whether empirical inquiry can merge with spiritual imagination to shape new cosmologies for the technological era.

Yoonyoung Park & <br/>Hyejin Park
Yoonyoung Park & Hyejin Park

Hyejin Park and Yoonyoung Park, curators based in Seoul, unpack AI through the constructive lens of the Capitalocene, examining its connections to broader economic and resource systems. Their proposal traces AI’s dependence on natural resources and various forms of labor, as well as the process by which emotions and identities are utilized as new forms of capital. Through this perspective, they challenge audiences to reflect on everyday choices and envision new ways of coexisting with technology.

Hyejin Park & Yoonyoung Park’s exhibition will be on view in January 2027.

Finalists
  • Cora Yubin Luo &
    Karen Keshi Lin

  • Yoonyoung Park &
    Hyejin Park

  • Kun Ruan

  • Yifeng Wei &
    Penny Dan Xu

  • Jielei Zou &
    Xue Sun

Juries
  • Jochen Eisenbrand

    Chief Curator, Vitra Design Museum (Weil am Rhein)
  • Carol K. Huh

    Associate Curator of Contemporary Asian Art, National Museum of Asian Art, Smithsonian Institution (Washington, D.C.)
  • Frances Morris

    Former Director of Tate Modern (London) and Distinguished Visiting Professor, Ewha Womans University (Seoul)
  • Christiane Paul

    Curator of Digital Art, Whitney Museum of American Art (New York)
  • Philip Tinari

    Director, UCCA Center for Contemporary Art (Beijing)
Nominators
  • Hera Chan

    Adjunct Curator, Asia-Pacific, supported by Asymmetry, Tate
  • CHEN Xiaoyang

    Executive Deputy Director of GAFA Art Museum, Professor of the GAFA School of Sculpture and Public Art
  • CHAO Jiaxing

    Independent curator based in Berlin and Shanghai
  • Chelsea Chua

    Programme Director, Objectifs Centre for Photography and Film
  • Chabib Duta Hapsoro

    Curator at Museum MACAN
  • Seolhui Lee

    Artistic Director, Korean Pavilion 2024, Venice Biennale
  • Iris LONG

    Independent Curator
  • Kelly Ma

    Curator, Learning & Outreach, Asia Society Museum
  • Shwetal Ashvin Patel, PhD

    Interdisciplinary Researcher and Visual Art Specialist
  • Somi Sim

    Independent Curator

Prayers to Fornax: Science, Technology, and Spirituality 2026.07.18 ~ 2026.12.13

E-Brochure Download
  • Prayers to Fornax: Science, Technology, and Spirituality
  • Prayers to Fornax: Science, Technology, and Spirituality
  • Prayers to Fornax: Science, Technology, and Spirituality

Prayers to Fornax: Science, Technology, and Spirituality invites audiences to practice a ritual of bridging the realms of rationality and spirituality. Fornax, meaning “laboratory stove” or “furnace,” is a constellation in the southern hemisphere named by French astronomer Nicolas-Louis de Lacaille in 1756. Naming a constellation in honor of scientific achievement rather than after a mythological figure marked a historical shift towards a scientific ordering of the sky. Yet the act of looking to the sky has always involved more than observation; it has long been shaped by belief, imagination, and symbolic interpretation. In this light, Fornax sits at the intersection of rational inquiry and esoteric belief. Today, facing the pressing issues raised by contemporary technology, we find ourselves at a similar crossroads between science and spirituality. What science studies but cannot yet solve may find its answer in another form through the long tradition of human spiritual exploration. The exhibition unfolds as a profound journey: searching for meaning that lies beyond the reach of science, uncovering the knowledge buried in the land, and searching the cosmos for signs. In bringing these seemingly opposing worlds into relation, it asks whether the knowledge found in shamanism, folklore, and mysticism could offer us new insights. What emerges from this interlacing is an opening towards more inclusive and responsible technological futures, reminding us that knowledge, like matter in a furnace, never fully settles, but continues to emerge in new forms.